Performing Arts Building, Room 214 email@example.com
Martine Kei Green-Rogers holds a PhD from the Department of Theatre and Drama at the University of Wisconsin-Madison. Prior to studying at UW-Madison, she received her B.A. in Theatre from Virginia Wesleyan College and her M.A. in Theatre History and Criticism from The Catholic University of America.
Her dramaturgical productions include: Classical Theatre Company’s productions of Miss Julie, The Tempest, Uncle Vanya, The Triumph of Love, Antigone,Candida, Ghosts, Tartuffe, and Shylock, The Jew of Venice; productions of Home and Porgy and Bess at the Court Theatre (Chicago, IL); The Clean House at CATCO (Columbus, OH); To Kill A Mockingbird, The African Company Presents Richard III, A Midsummer Night’s Dream and Fences at the Oregon Shakespeare Festival (Ashland, OR); 10 Perfect and The Curious Walk of the Salamander as part of the Madison Repertory Theatre’s New Play Festival, and A Thousand Words as part of the WI Wrights New Play Festival.
She has also directed staged readings of Adopting Aunt Tabitha for the Alley Theatre’s HYPE program, and Venus and Adonis for the Classical Theatre Company. Last but not least, she has directed full production of Much Ado About Nothing for Kenyon College.
She has previously taught at Sam Houston State University in Huntsville, TX and Kenyon College in Gambier, OH. Her research interests include Violence in African American Theatre, African Diaspora Theatre, and Gender and Race in American Theatre.
She is a proud member of the American Theatre in Higher Education (ATHE) and the Literary Managers and Dramaturgs of the Americas (LMDA).